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Picture

Story: True Tribute

El Paso times (tx)
Section:
Living
Page: 1
Bernadette Sedillos Self - El Paso Times

Picture

Juan Galceran's paintings reflect the same complexity and intensity that flow naturally in conversation with the artist.

"I'm searching for the truth, and I think I'll always be searching," Galceran said in an interview this week. "Art is about a search, and artists -- serious artists -- are searching for something that people cannot always see."

It's somewhat ironic that the form of expression for such an intangible search manifests itself in so physical a form as art -- work that must catch the eye before it can whisper to, or scream at, the soul.

El Pasoans can see some of Galceran's work on exhibit at the People's Gallery at City Hall. And if the city's airport board and City Council approve Galceran's concept drawing for a tribute to Fort Bliss' 507th Maintenance Company, they'll be able to see more of his work at the El Paso International Airport.

The 40-year-old native El Pasoan has created a conceptual drawing for a 19-foot-by-8-foot painting he hopes to display at the airport.

It's not typical "tribute" art. And that may not sit well with some people.

"Serious artists aren't just out to create something pretty," Galceran said. "They want to provoke thought or emotion -- some kind of dialogue or discussion. You don't want to create something that doesn't have an effect on people. Otherwise, what would be the point?"

There's a mix of imagery in the concept drawing, much of which is discernible only after protracted staring at the picture. In the foreground of Galceran's vibrantly colored drawing are eight rifles, stuck bayonet in the ground, with helmets resting on the rifle butts.

Signs in the background of the drawing make reference to the nation's history of racial and ethnic discrimination. One sign reads, "No Mexicans Allowed." Another says, "No Irish." Another refers to the internment of Japanese-Americans.

Throughout Galceran's intricate image are characters including Native Americans, a campesino-style Mexican worker and blacks in bondage. Some who look at the tribute may wonder why a straightforward memorial of the soldiers isn't being suggested.

"I didn't intend it to be a political statement on the war," he said.

"Part of the reason I drew it this way is because so many of the soldiers in this war -- like in other wars -- are minorities. Their people have suffered racism, or still do, and despite all that, so many are willing to sacrifice their lives for this country. That's an important statement."

El Pasoan Alma Sanchez, the cousin of Ruben Estrella-Soto, agrees. It was Sanchez who first suggested a mural-type memorial to honor the nine soldiers who lost their lives in the much-publicized ambush of March 23, 2003. Originally, she approached Galceran about painting something for Estrella's family.

"Right after Ruben was killed, I was thinking about how young he was," Sanchez recalled. "I can still remember seeing him when he was getting ready to go to a dance. He was holding his girlfriend's hand. ... One year later, he was dead. He was just a kid. They were all just kids."

Estrella-Soto was 18. He's buried at Fort Bliss National Cemetery.

Sanchez said many people are forgetting about the human toll of the war. The painting, she said, is meant to acknowledge sacrifices, not ignite controversy.

"But I do agree with something John said when we were talking about ideas for it," Sanchez explained. "He said he didn't write history. These things happened, you know. Racism is real. I saw news stories about how some of the soldiers who were killed weren't U.S. citizens. They were granted citizenship after they died. They weren't citizens when they volunteered to go fight for this country, and they were willing to sacrifice their lives for this country. We shouldn't forget that."

It's not clear yet when Galceran's proposed painting will be voted on by the airport board or City Council. Opposition may be minimal because Galceran and Sanchez are seeking private donations for it.

Galceran has offered to do the work free. "How can you put a price on something like this?"

The family of Estrella-Soto, whose face is prominent in the painting, has seen the concept drawing. "I like it a lot," said Amalia Estrella, the soldier's mother. "I feel very proud. It's very nice."

She still feels the pain of her loss and said she's touched that some want to honor her son's memory. "They're doing more than the government is doing ... The government has forgotten about the sacrifice."
(August 21, 2004)

Copyright (c) El Paso Times. All rights reserved. Reproduced with the permission of Gannett Co., Inc. by NewsBank, inc.




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  • Introducing a First: Textured Momentism
  • Textured Momentism Is...
  • Art: "Textured Momentism" Main Page
    • How Do You Accept That This Is The End?
    • So The Loathing Begins
    • The Stand Against POTUS T
    • The Wall Not Paid For By Mexico
    • Colon (Columbus in Spanish) and the Non Rapists...
    • Fake Pose with a Fake Smile Watching a Movie Play
    • Shit Hole
    • Golgatha
    • D' Birds
    • The Show
  • Textured Momentism: New Art in Progress
    • Child Reaching In A Closet
    • This Moment And Every Moment
    • Here/Then
  • "La Vida" Art Series Is...
  • Art: "La Vida" Series Main Page
  • Art: "La Vida" Series Part 1
    • The One Who Wanted To Live
    • What Is The Truth Of Being Human
    • The Mystery Of Existence
    • Entanglement
    • Here/Then
    • At This Exact Moment
    • Nothing Is Created Or Destroyed
    • Rhyme And Reason
    • Reality?
    • What Is A Memory? What Is A Life?
  • Art: "La Vida" Series Part 2
    • The United States Of America, Or Let's Play Twister
    • The Gatekeepers
    • Still Life And Death
    • Aajej
    • Where is Juan Alvarado?
    • La Vida Cantina
    • The Chaotic Structure Of Being
    • Is There Something Behind All This? Does A Fish Know It's In Water?
    • The Humans
    • My Greatest Opponent
    • Golgatha
  • Art Ready For Purchase
  • Art Sales Documentation
  • Feature Films in Development
    • Feature Film: Life Life Death
    • Feature Film / Textured Momentism : "Living Gauguin" >
      • Script & Storyboard Samples
      • Living Gauguin Production Photos
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    • News Articles >
      • El Paso Times News Story 1
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